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Iowa Arts Council Major Grant Application /
Part A: Applicant Information
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Applicant Name:
Contact's Daytime Phone(xxx-xxx-xxxx):319-291-4490 Alternate Phone:
Federal Identification Number
DUNS:
Web Address of Applicant:
Waterloo Center for the Arts
This is the name and information for the organization or individual conducting the grant activities.
Address: 225 Commercial Street
Address,cont:
City: Waterloo State: Iowa(IA)
Zip:50701
Contact Person of Applicant: Shannon Farlow
Title of Contact Person: Development/Marketing
Director
319-291-4270 Contacts
Fax(xxx-xxx-xxxx): Email.
shannon.farlow@waterloo-
ia.org
42-6005327
(Last four digits of Social Security number for individuals OR Federal Employer ID for organizations)
039051193
NOT needed from individual applicants—organizations only.
www.waterloocenterforthearts.org
Questions?
Please go to the following links for more information.
Guidelines
Funding Priorities
Review Criteria
Part A: Fiscal Agent
Iowa Arts Council Major Grant Application
Part A: Fiscal Agent Information
ONLY complete this section if you ARE using a Fiscal Agent to apply for this grant.
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Federal Identification Number
Name of Fiscal Agent
Organization:
Address:
Address,cont:
City: State: Iowa(IA)Zip:
Contact Person at Fiscal
Agent:
Contact Title:
Contact's Daytime Phone
(xxx-xxx-xxxx):
Fax(xxx/xxx-xxxx):
Email:
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(Federal Employer ID for
organizations)
Questions?
Please go to the following
links for more information.
Guidelines
Funding Priorities
Review Criteria
Part B: Project
Iowa Arts Council Major Grant Application
Part B: Project Information
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Please select the Name of the Program to which you are applying.
Major Grant Programs: Organization Major Grants(MAJIORG)
❑ Check this box if this application is a continuation or an expansion of a similar project or an activity that has occurred in past
years.
Grant Deadline for which you are applying:
April 1 (Funding Period begins July 1)(1)
Note:The end date for all grants is June 30 of the same fiscal year. The Iowa Arts Council fiscal year is July 1 through June 30.
Grant Project Start Date(mmldd/yyyy): 07/01/2009
Grant Project End Date(mmlddlyyyy): 06/30/2010
IAC Grant Request:
$10,000
Major Grants:maximum request is$10,000.
Project Title: Art and Environment:Where People Gather
Project Summary Description
In 50 words or fewer,summarize your proposal,including names of artists,if applicable. This is separate from and not to be confused
with the application narrative!):
Artists Carol Macomber,Pam Echeverria,Scott Hudson,and Joan Webster-yore will collaborate to create artwork for a place where
thousands of people gather:Waterloo's new downtown Expo Plaza/Public Market. Working together in the design process,they will
create a rich outdoor visual arts experience interpreting local,natural,and agricultural heritage.
•
Questions?
Please go to the following links for more information.
Guidelines
Funding Priorities
Review Criteria
Part C: Narratives
Iowa Arts Council Major Grant Application
Part C:Application Narrative
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Profile of the Applicant(up to 200 words)
. Artist Applicants: Describe yourself:bio,primary disciplines and type of work you create and/or perform,etc.
• Organization Applicants:Describe your organization(type of organization,mission and purpose,primary service area and
constituents served,number of members,etc.)
The Waterloo Center for the Arts is a municipal non-profit institution dedicated to fostering community awareness and appreciation of
the arts by acquiring,preserving,exhibiting,and interpreting significant works of art. The Center holds an exceptional permanent
collection including the world's largest public collection of Haitian artwork,a Midwest Regionalist collection including works by Grant
Wood and Thomas Hart Benton,American Decorative Art and International Folk Art. To serve the community with quality cultural and
educational opportunities,the Center also offers a full range of programs including exhibits,educational classes/workshops for all
ages,care and display of a significant permanent art collection,special events,ArtHouse Café,Gift Store,and an active volunteer
program. The Center also features the Phelps Youth Pavilion,an interactive children's museum where art launches a world of
wonder,discovery and learning. Kids of all ages will enjoy milking a life-size cow just as Grant Wood did as a boy,or trying their
hand at digital finger painting. In addition to offering a variety of programming for preschool through senior adults,the Center is home
to The Waterloo Community Playhouse,Black Hawk Children's Theatre,Municipal Band,and hosts several other meeting and event
groups.
Artistic Excellence(up to 400 words)
Describe your project.Be specific,and be sure to address the appropriate Review Criteria(see link below).Within the description,
include answers to the following:
• What are your goals for the project and how do they relate to your overall goals and mission?
• What will happen in this project,and when/where/how will it happen?
• Who are the key participants and what are their roles in this project(i.e.artists,curators,directors,producers,teachers,etc.)?
• What qualifies the key participants for this project?(Bios of key participants in the supplemental materials should also address
this question.)
• What is the artistic quality of the artwork,arts experiences/services,and/or arts learning of the project?(Work samples and
support materials in the supplemental materials should also address this question.)
• If this is a continuation and/or expansion of an existing project,how is it different this time?
Themed around Art and Environment,this project's goal is to bring unique public art to the new Expo Plaza and Public Market space
in downtown Waterloo, utilizing the expertise/creativity of local artists.The Plaza is an urban space set within in a larger rural area,
offering opportunities for art to connect the Cedar Valley community with themes of natural history,agriculture,commerce and
environmental stewardship.
•
Artists Joan Webster-Vore,Scott Hudson, Pam Echeverria,and Carol Macomber will each create 6 original works of art.Their
originals will be exhibited at WCA,and also replicated throughout the outdoor Expo on more than 100 banners.Title banners will also
describe the exhibit and give participants recognition.Both exhibitions will open during the My Waterloo Days festival,which attracts
150,000 people. One work from each artist will be acquired for WCA's permanent collection,and take-away interpretive materials will
be developed to promote and educate visitors.
These artists have previously collaborated,and each brings a unique perspective that will make the overall project appealing to many
different audiences. Curator Kent Shankle will oversee the project and graphic designer Chawne Paige will prepare the artwork to be
printed on the banners.The artists will work together to develop a body of work that interprets and harmoniously connects their
individual visions of the abovementioned themes.The banners will represent the Cedar Valley community, its heritage,and its
rural/urban connections.
Banners typically decorate,provide information,and draw attention to a particular space.This banner installation,however,will be
much more than decorative-transcending the boundaries of traditional"banner art".The participating artists are not producing
banner designs but are committed to the challenge of creating significant works of art for a larger,cohesive public art project.
The Plaza is a place where people gather-for Farmers Markets,entertainment,conferences,art shows,community festivals-and
these banners will offer a sense of connectivity between visitors and the rich heritage of the community. They will support the
• integrity of the"place"of the Plaza,integrating an artistic visual element.
WCA works in partnership with the community to promote appreciation for the arts and provide cultural experiences/opportunities.
This project will appeal to all ages,ethnicities,and income levels because of its location and topical environmental connections.The
new Plaza has been developed to promote fresh,organic,sustainable crops and to enhance the community livability.This project
supports these goals.
Service to Iowans(up to 400 words)
Describe how your project will use the arts to enrich the quality of life and/or learning in Iowa.Be sure to address the appropriate
Review Criteria(see link below).Include answers to the following:
• Who is the target audience for your project and how will they benefit?
• Why is it important that this project happen?
• Are you reaching underserved audiences with this project?If so,define how they are underserved and how you will reach
them.
. Is this art form itself underserved?Explain.
• How does your project meet specific funding priorities of the IAC?
Note:For some projects(especially individual artist applicants),the primary beneficiary may be the artist him/herself.
The target audience for this project is the Cedar Valley community and visitors to the area. There are four unique artists involved in
this project to offer diversity in perspective and to invite a dialogue about art and the environment. The collaboration of artists will
bring a broader vision for this project.
Art in unexpected places:from farmers to musicians to basketball players,many audiences will utilize the Plaza,and this project
provides the perfect opportunity to expose thousands of people to the community's heritage and environmental beauty with the
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unconventional delivery of banner public art. The banner arts location will also create an undeniable viewership because of their size
and presence on the Plaza's unique landscape. The Plaza is also located adjacent to Highway 218(Avenue of Saints),Highway 63,
Five Sullivan Brothers Convention Center and daily business and consumer traffic. It is in the center of downtown Waterloo's River
Renaissance project,which is becoming a tourist and regional event destination with other nearby attractions such as the Phelps
Youth Pavilion at WCA and the Sullivan Brothers Veteran's Museum. This project will speak to a larger audience than what a
traditional gallery can do.
This project meets the specific funding priorities of the IAC because it makes use of high quality Iowa artists and creates an
opportunity for collaboration to provide the community with high quality arts experiences. They were specifically chosen for this
projected because they have consistently explored related themes in their work,for their reputation for artistic excellence and
because they have a history of working collaboratively on community projects.This project also reflects the cultural diversity of the
Cedar Valley community through an unconventional art form. And lastly,this project also assists four artists in creating a significant
body of new work while exploring approaches and directions in collaboration and delivery of public art.
The WCA exhibition will give the public an opportunity to interact with the artists and their works at the opening gallery talk.This talk
will be videotaped and shown on Waterloo and Cedar Falls cable access channels to reach more people with its interpretive
message. Overall,this exhibition will greatly enhance the livability of downtown Waterloo and the public will be educated about how
the community is connected to today's environmental influences.
Planning and Implementation(up to 200 words):
Describe the planning and process that you will use to achieve the goals you have set.Be sure to address the appropriate Review
Criteria(see link below).Include answers to the following:
• What planning steps have you gone through or will you go through?
• How will you involve individual and community partners in planning and implementing the project to ensure it is successful?
• How does your process ensure a successful outcome?
• How will you evaluate your project to determine if it has successfully met your goals?
Note:Your planning and implementation score will be based on this narrative and the budget,timeline,and letters of commitment
submitted with Parts F-H:Required Additional Documents.
The artists were selected by a subcommittee of WCA's Public Art Committee. Beginning August 2009,the artists will meet to develop
the conceptual theme of the banners,and then meet regularly through January 2010 to ensure the project remains cohesive. The
artwork will then be presented to WCA's Public Art Committee,followed by WCA graphic designer digitally preparing the artwork for
production. Production will begin in February,with a final completion date of May 17.The banners will be installed that week,and the
exhibits will open on May 27(WCA)and May 28(Expo). The banner exhibition will be highly visible and will attract daily pedestrian
traffic and will be easily viewed by people traveling on Highway 218 and Highway 63. The banners will also attract new patrons to
WCA to view the original artworks.
WCA will track Expo attendance numbers and Highways traffic counts,the Public Art Committee will conduct informal interviews with
key constituents,and a comment book will be at the entrance to the WCA gallery exhibition. Additionally,the number of interpretive
materials taken by patrons will be tracked(available at Public Market building,Waterloo Convention&Visitors Bureau and Waterloo
Center for the Arts).
Questions?
Please go to the following links for more information.
Guidelines
Funding Priorities
Review Criteria
Part D: Major Grants Budget
Iowa Arts Council Major Grant Application
Part D-Major: Budget Summary
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All project expenses listed here—including matching funds—must be incurred and paid during the grant
period.IAC grants cannot pay for expenses that occur before the grant begins or after it ends.Matching funds
are part of the project;therefore they are subject to the same restrictions.
Budget Summary Description
In 100 words or fewer(800 characters),identify exact expenses that IAC grant funds will support(see Funding Priorities
for additional information)AND identify your source(s)of matching funds:
Funds will be used to commission 4 artists to create art for a thematic banner installation with an environmental/natural
history theme. The banners will be installed on the Expo in downtown Waterloo, and the original artwork exhibited at
WCA. The IAC grant funds will support the artists'fees as well as production/installation costs.Matching funds will come
from the Community Foundation of Northeast Iowa,National Endowment for the Arts, WCA, Friends of the Center and
the Expo Plaza.
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Iowans and Non-Iowans to be Employed
#of Iowans #of Non-Iowans
Number of people paid by this project other 21 6
than employees(ie.artists,outside services):
Budget Summary
Budget Help
Grant Request Cash Match In-Kind Match Total Expenses
Applicant's Employees $4,378 $4,378
Artists $4,000 $4,000 $8,000
Outside Fees&Services $6,000 $8,500 $14,500
Supplies&Equipment $0
Space&Equip.Rental $10,000 $10,000
Travel $800 $0 $800
Marketing/PR $2,380 $120 $2,500
Other Expenses $500 $200 $700
Subtotals $20,558 $10,320
Totals $10,000 $30,878 $40,878
Total Request Cash Match Subtotal+In Kind Match Total Expenses
Subtotal
In addition to this budget itemization,you must also complete a Supplemental Detailed Budget to provide more
information about your expenses and income. Click the"Save&Next"button below to find a link to this form as part
of the Required Additional Documents.
Questions?
Please go to the following links for more information.
Guidelines
Funding Priorities
Review Criteria
Part E: Income
Iowa Arts Council Major Grant Application
Part E: Organization Income
ONLY nonprofit organizations need to complete this section.
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"Save Your Work"button.
Indicate your organization's annual income for the previous two years(use the information on your IRS 990 tax form,if you are required to submit
one).This information is being collected as documentation for the Iowa Cultural Trust and has NO bearing on your grant request.
If you are not a nonprofit organization,click on the Save and Next button at the bottom of this page.
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Year A) B)Other
Reported Dates(mm/dd/yy) Earned Support
(yyyy) Income
From:07-01-07
2008 To:06-30-08 $272,291 $722,480
From:07-01-06
2007 To:06-30-07 $118,730$580,686
Questions?
Please go to the following links for more information.
Guidelines
Funding Priorities
Review Criteria
Parts F-J: Required Additional Documents
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Iowa Arts Council Major Grant Application
Required Additional Documents
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You have now completed the bulk of your application.However,a number of additional documents are required before your application
is complete.
In order to complete your grant application,please download the file below,complete all necessary information, print out all
documents,and return the complete package to the IAC by 4:30 p.m.on the grant deadline date(this is NOT a postmark deadline).
In Download Parts F-J and Supplemental Materials
Download Instructions:
PC users:click right mouse button on the link and choose"Save Target As";
Mac users:Hold down option and click on the link.
The documents included in this download are:
• Part F: Cover Sheet and Application Checklist
• Part G:Service Contract and W-9
• Part H: Supplemental Detailed Budget Form
• Part I:Timeline Form
• Part J:Work Samples and Support Materials Form
Plan Ahead!These required additional materials must be received(via mail or hand-delivery)by 4:30 p.m.on the grant deadline date
(this is NOT a postmark deadline):
Iowa Arts Council
Major Grants
600 E.Locust
Des Moines,IA 50319-0290 •
Your application is not considered complete until both the eGRANT application and required additional materials have been
submitted.
'Q PDF document requires Adobe Reader version 7.0 or greater to read and fill in the document. If you don't have it,install the free
download.Adobe provides a set of free tools that allow visually disabled users to read documents in PDF format.Go to
http://access.adobe.com and type the URL of the PDF document into the electronic form.
Questions?
Please go to the following links for more information.
Guidelines
Funding Priorities
Review Criteria
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Major Grant Application Parts F -J: Supplemental Materials
Part F: Cover Sheet and Application Checklist
This form is designed to be filled in on a computer in Adobe Reader. Please do not print and fill in this form by hand except for the
checklist below and required signatures.Further instructions for this form are available in the Application Instructions.
Applicant Name: Waterloo Center for the Arts
eGRANT Application ID #: 70012/72513 (This number is located on the eGRANT Main Menu)
Major Grant Program: Organization Major Grant
Required Application Components
• Submit only ONE set of all supplemental materials in the order below.
• DO NOT include a copy of Parts A-E with your supplemental materials.Submit those only via eGRANT.
• Submit all Supplemental Materials in one package.If you include letters of support,they must be pertinent,dated within
the last year, and must be part of your application package,not sent separately.
• Check off items as you complete them and place them in the application package for delivery to the Iowa Arts Council.
• Make your own copy of the application and everything you send to the Iowa Arts Council.
• Do not use staples, report covers,folders,or other binders.
® Part F:Completed Cover Sheet and Application Checklist •
® Part G: Service Contract and Substitute W-9 Form (Must have original signatures in blue ink)
® Part H: Supplemental Detailed Budget(Use attached form)
Z Part I:Timeline(Use included form or create your own)
® Part J:Work Samples and Support Materials Form and accompanying materials
® Artists' bios for non-IAC Rostered artists and copies of IAC artists' web pages for IAC Rostered artists
Required if applicant will be hiring artists for the project,OR if applicant is an artist him/herself.See http://roster.
iowaartscouncil.org for artists' roster web pages
Z Letters of Commitment/Confirmation from partners
Required if applicant will hire an artist or arts organization for the project.
❑ Applicant's Evaluation of most recent program/project
Recommended if the grant request continues or expands an existing program,project,event, residency,etc.,whether
or not it was previously funded by IAC.Do NOT submit your IAC Final Report form.
® Minority Impact Statement
❑ Copy of letter confirming Fiscal Agent partnership agreement with sponsored organization
Required only if applicant is using a Fiscal Agent
Materials submitted with this cover page must be RECEIVED at the Iowa Arts Council
office by 4:30 p.m. on the grant deadline date (or the next business day if the deadline is
a Saturday, Sunday, or holiday). Late applications will not be accepted.
Iowa Arts Council
Major Grant
600 E. Locust
Des Moines, IA 50319-0290
Call with questions: 515-242-6194
Part G: Service Contract
The individual signing this Service Contract must have the authority to legally obligate the Applicant to conditions of this
Contract,grant guidelines,and policies and procedures of the Iowa Arts Council.
Iowa Arts Council Service Contract
This agreement(the"Contract")is between the Iowa Arts Council,a division of the Department of Cultural Affairs,State of Iowa,
600 East Locust, Des Moines,Iowa,50319-0290(the"Council"),and Name and Address of the Applicant(the"Applicant"):
Applicant Name: Waterloo Center for the Arts
Address: 225 Commerical Street
City,State ZIP Waterloo,IA 50701
WHEREAS,the Council,through its administrator,is authorized to make and sign any contracts and agreements and perform any
acts which may be necessary,desirable,or proper to carry out the purposes of the Council,and
WHEREAS,the Applicant has made application(the"Application")to the Council for the project or program(the"Project")
described in the Application of cooperative endeavors as hereinafter set forth,the Council and the Applicant hereby agree as
follows:
SECTION 1.EFFECTIVE DATE OF CONTRACT.
a)This Contract becomes effective upon issuance of a grant award letter(the"Grant Award Letter")by the Council to the
Applicant awarding a grant to the Applicant(the"Grant Award")and upon the Council's executive director signing this
Agreement.
b)The Application and Grant Award Letter shall be made a part of this Agreement.
c)This Contract becomes null and void if the Funding Notification Letter does not award a grant to the Applicant.
SECTION 2.PROJECT TITLE,PROJECT DATES AND FINAL REPORT.The Project title,project beginning and ending dates(the
"Beginning Date and Ending Date"),and the final report due date will be specified in the Grant Award Letter.
SECTION 3.GRANTED AMOUNT AND PAYMENT SCHEDULE.
a)The amount of the Grant Award awarded by the Council to the Applicant shall be specified in the Grant Award Letter.
b)Under no circumstances shall the total amount paid to the Applicant exceed the Grant Award specified in the Grant Award
Letter.
c)The Council will pay the Applicant the Grant Award on or about the Beginning Date of the Project.Due to unforeseen
circumstances and workload of the Council,the Council will not guarantee that the Grant Award check will arrive on or about this
date.
SECTION 4.IMPLEMENTATION OF PROJECT.The Applicant shall implement the Project substantially as described in the
Application.
SECTION 5.FINAL REPORT. (Does not apply to the Big Yellow School Bus Grants)
a)The Applicant must complete and return a Final Report and unspent Council funds to the Council on forms provided by the
Council by the date specified in the Grant Award Letter.
b)The Applicant will be placed on an agency-wide funding moratorium if the Final Report and/or unspent Council funds have
not been returned to the Council within THIRTY(30)days of the ending date of the Project.
c)The Council may initiate legal proceedings for the return of grant funds if the Final Report and/or unspent funds have not been
returned to the Council within THIRTY(30)days of the ending date of the Project.
SECTION 6.COUNCIL POLICIES,PROCEDURES,GUIDELINES,RULES.The Applicant shall abide by all Council policies,
procedures,guidelines and rules as published on the Council's Web site and 222 Iowa Administrative Code and in effect at the
Beginning Date of this Contract.
SECTION 7.SPECIAL CONDITIONS.No special conditions shall apply to this Contract unless specified in the Grant Award Letter.
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SECTION 8.COMPLIMENTARY ACCESS.The Applicant shall furnish the Council with two complimentary tickets for ticketed
events to be used by the Council,or any duly authorized representatives for observation or evaluation purposes.The Council
shall confirm use of the complimentary tickets prior to the event.
SECTION 9.ACKNOWLEDGEMENT.The Applicant agrees to acknowledge Council support for the project in all signage,
program materials,promotion,publicity and advertising activities,and in other printed and electronic forms of communication
pertaining to the Project.The following credit line shall be used:Funded in part with a grant from the Iowa Arts Council,a division
of the Iowa Department of Cultural Affairs,and the National Endowment for the Arts.
SECTION 10.PAYMENTS TO ARTISTS AND PROVIDERS OF SERVICE.The Applicant agrees to pay artists and other providers of
services specified in the Application when services are rendered,which can be no later than the Ending Date of the Project,
regardless of the date the Grant Award check is received from the Council.
SECTION 11.MODIFICATIONS,CANCELATIONS AND EXTENSION REQUESTS.
a)The Council requires all substantial modifications to the Application,Project or the Contact be submitted in writing by the
Applicant and approved in advance by the Council.Modifications shall mean a substantial change in the scale and scope of the
Project,change of address,change to the Beginning and Ending Dates of the Project,change of the Applicant's contact person or
project director of the Project,participating artists,etc.
b)Written notification is required if the Applicant cancels the Project or if a partially funded Application cannot be completed by
the Applicant as described in the Application.The Applicant must return the Grant Award to the Council for all canceled Projects.
c)Extensions of the Ending Date may be requested if they occur within the same fiscal year the grant was awarded(July 1
through June 30 of the following year).The IAC does not approve extension requests if the Beginning Date and Ending Date
overlap fiscal years.
SECTION 12.RECORDS MANAGEMENT.The Applicant agrees to maintain for inspection by the Council,or its duly authorized
representatives,all books,documents, papers and records maintained to account for funds expended under the terms and
conditions of this Contract for a minimum of three(3)years following the Ending Date of the Project.Applicants receiving
$500,000 or more in federal funds must submit an audit report for the year in which the Grant Award is received and expended.
SECTION 13.DURATION.This Contract must be completed between the dates specified in the Grant Award Letter.
SECTION 14.TERMINATION.This Contract is subject to termination by either party with ten(10)days prior written notice.
SECTION 15.INDEPENDENT CONTRACTOR.The Applicant agrees to perform the services specified in the Application and this
Contract as an independent contractor.
SECTION 16.FULFILLMENT OF AGREEMENT.If the Applicant is unable to fulfill this Contract by virtue of any act or regulation of
any public authority,or on the account of any rule or order of any military or civil authority,or on account of any war or other
national or state-declared emergency,or because of labor strike,riot,epidemic,act of God,or any similar cause beyond his or her
control,the Applicant shall be excused from performance of the terms of this Agreement to the extent such performance is
prevented.In such an event the Applicant shall promptly return to the Council any unexpended or unobligated portions of
payments specified in the Grant Award Letter.
SECTION 17.INDEMNIFICATION CLAUSE.The Applicant agrees to hold harmless,indemnify and defend the Council and its
officers,directors,panelists,and employees from and against any and all damages,actions,causes of action, losses,injuries,
liabilities, royalties,claims or other payments relating in any way to the terms and obligations of this Contract.
SECTION 18.ASSIGNMENTS.This Contract may not be assigned or transferred by either party to this agreement without prior
written consent of the other party.
SECTION 19.EQUAL OPPORTUNITY AND ACCESSIBILITY.The Applicant agrees not to discriminate against any employee,
applicant for employment or any person participating in any aspect of the Project on the basis of race,national origin,color,
creed,sex,age,religion,sexual orientation,disability,gender identity or associational preference,physical or mental disability;
and that all parties involved in the Project shall comply with Title VI of the Civil Rights Act of 1964;Fair Labor Standards under
Section 5(j)of the National Foundation on the Arts and Humanities Act of 1965;Section 504 of the Rehabilitation Act of 1973;and
the Americans with Disabilities Act of 1990.
SECTION 20.INTEGRATION.The Application,Grant Award Letter and this Contract contains the entire agreement between the
parties and any representation that may have been made before the signing of this agreement are non binding,void,and of no
effect.Neither party has relied on such prior representations in entering into this Contract.
SECTION 21.NON-APPROPRIATION.Notwithstanding any other provisions of this Contract,if funds anticipated for the
continued fulfillment of this Contract are at any time not forthcoming or insufficient,either through the failure of the Federal
Government,or of the State of Iowa to appropriate funds or discontinue or material alteration of the program under which funds
were provided,then the Council shall have the right to terminate this Contract without penalty by giving not less than thirty (30)
days written notice documenting the lack of funding.
Signatures
Applicant: Waterloo Center for the Arts
Must be same name and address listed in Parts A&B of the application form.
Authorizing Official of the Applicant: Cammie Scully
The individual signing this Service Contract must have the authority to legally obligate the Applicant to conditions of this
Contract,grant guidelines,and policies and procedures of the Iowa Arts Council.
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Signature of Authorizing Official and Date (sign in blu "n /k)
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Iowa Arts Council: Executive Director
Signature and Date
Substitute W-9/Vender Update Form
In the event that you are awarded a grant,in order for the State of Iowa to pay you the amount that is due to you and to comply
with the IRS regulations on reporting these payments,IAC requires the following information.Failure to provide this
information will result in withholding of payment.
BOX A BOX B
Are You/Your Organization: YES NO Is Your Organization: YES NO
Individual [I] ❑ ❑ Corporation [C] ❑ ❑
OR Partnership [P] ❑ ❑
Sole Proprietor [S] ❑ ❑
If the answer to both above was NO,please complete Box B. Estate or Trust [E] ❑ ❑
If you answered YES to either item,please complete the rest Government [G] ❑
of Box A.(Sole Proprietors may enter their FEIN,however, Other [O] ❑ ❑
the IRS prefers you use your SSN)
Please explain if
SSN: you checked Yes
for Other:
OR
FEIN:
FEIN: 42-6005327
Phone: Phone: 319-291-4490
Fax: Fax: 319-291-4270
Last Name: Firm Name: City of Waterloo
First Name: Doing Business As:
Waterloo Center for the Arts
Doing Business As:
Address: 225 Commercial Street
Address:
Address:
Address: City: Waterloo
City: State: IA Zip: 50701
State: Zip:
Certification Must Be Signed By Vendor
Certification-Under penalties of perjury,I certify that:
(1)The number shown on this form is my correct taxpayer identification number(or I am waiting for a number to be issued to
me),and
(2)I am not subject to backup withholding because:(a)I am exempt from backup withholding,or(b)I have not been notified by
the Internal Revenue Service(IRS)that I am subjected to backup withholding as a result of a failure to report all interest or
dividends,or(c)the IRS has notified me that I am no longer subject to backup withholding.
ill `l� Date: /OT 0- 7f? �? ll�% Qs a(^
Signature:
• �
For Office Use Only(Refer to 270.450 for more details)
From Dept. ❑ Add
❑ Change(Include vender code
and changes only)
Contact Phone#: ❑ Delete
❑ Reason
Part H: Supplemental Detailed Budget
This form is required.Add additional rows to the sections below as necessary.Round expenses and revenues to the nearest dollar.Enter
amounts as numbers only:letters,symbols,and punctuation will not be accepted.Dollar signs and necessary commas will automatically
fill in when you exit the field.Item descriptions are limited to the visible area. All subtotals and totals on this form will calculate
automatically.The subtotals for each category should correspond to the summary budget in your eGRANT application.Only expenses
that occur during the funding period are eligible to be listed as either requested or match expenses.
EXPENSES
Staff salaries for time spent on the grant project should be listed as cash match.Time spent on the
Applicant's Employees
project by volunteers who are not artists may be listed here as in-kind match.
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
Cammie Scully,Director; 16 hrs@$41.05 $657 $657
Kent Shankle,Curator;60 hrs@$34.45 $2,067, $2,067
Chawne Paige,Designer;52 hrs.@$21.77 $1,132 $1,132
Shannon Farlow,Marketing Director; 16 hrs.@$20.43 $327 $327
Paulette Hawkenson,Bookkeeper;2 hrs.@$30.28 $61 $61
Johanna Kramer-Weston,Program Coord.;5 Hrs@$26.75 $134 $134
Applicant's Employees Subtotal $4,378 $0
Total Applicant's Employees Expenses $4,378
Artists List compensation to be paid to any artists on this project asgrant request or cash match.In the
description note the rate/hour and the number of hours spent unless the artist/arts group is paid
one lump sum.Time donated to the project by artists should be listed here as in-kind match.
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
Pam Echeverria $1,333 $667 $2,000
Scott Hudson $1,333 $667 $2,000
Carol Macomber $2,000 $2,000
Joan Webster-Vote $1,334 $666 $2,000
Artists Subtotals $4,000 $4,000 $0
Total Artists Expenses $8,000
Outside Fees&Services Enter payments for the services of non-arts individuals,businesses or organizations who are NOT
employees of the applicant or fiscal agent,and who will provide services specifically identified with
the project. Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
Banner production and installation $6,000 $7,000 $13,000
Matting and framing of works for exhibition $1,500 $1,500
Videography $500 $500
Outside Fees&Services Subtotals $6,000 $9,000 $0
Total Outside Fees&Services Expenses $15,000
Supplies& Equipment List costs of equipment to be purchased specifically for this project, or donated value if part of in-
kind match.Also list expendable supplies and materials to be used up by the project.(e.g.
costumes,sets and props, paint,paper, pens,film,office supplies, reception supplies,etc.)
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
$0
Supplies&Equipment Subtotals $0 $0 $0
Total Supplies&Equipment Expenses $0
Space & Equipment Rental Enter payments specifically required for the project and identified in the application,for rental
of studio,performance,office, rehearsal space,theatre,auditorium,gallery,etc.Include costs for
equipment here if it is to be rented.
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
Rental fee for banner display at Expo $10,000 $10,000
Space&Equipment Rental Subtotals 50, $0 $10,000
Total Space&Equipment Rental Expenses $10,000
Travel Enter estimated travel expenses for individuals identified in the application.Consider air and
ground transportation,hotel and other lodging expenses,food,gratuities, per diem payments,toll
charges,mileage,allowances on personal vehicles,and car rental costs associated with the project.
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
Travel expenses for artists meetings&gallery talk $800 $800
Travel Subtotals $0 $800 $0
Total Travel Expenses $800
Marketing/PR Enter estimated expenses for marketing/publicity/promotion specifically identified with the
project.Include costs for advertising,printing,mailing of brochures,flyers,posters,etc.
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
printing 10,000 interpretive brochures $1,425 $75 $1,500
printing&mailing 5,000 postcard announcements $950 $50 $1,000
Marketing/PR Subtotals SO $2,375 $125
Total Marketing/PR Expenses $2,500
Other Expenses Enter estimated eligible expenses that are not identified in other categories and are directly related
to the project.This could include but is not limited to telephone usage,storage,postage,
publication purchases,insurance fees,shipping expenses,etc.
Grant Request Cash Match In-Kind Match Total
Expense Description Expense Expense Expense Expense
Reception expenses-provided by Friends of Art Center $200 $200
Other Expenses Subtotals $0 $0 $200
Total Other Expenses $200
Grant Request Cash Match In-Kind Match Total Project
Expenses Expenses Expenses Expenses
Total Project Expenses $10,000 $20,553 $10,325 $40,878
Total Match Expenses $30,878
REVENUE SOURCES
Identify the sources of revenue for this project and indicate whether
or not each is a confirmed commitment.The IAC grant request is Cash Match In-Kind Match N.
calculated from the expenses section. Grant v
Income E
Revenue Source Request Earned by Cash In-Kind
Iowa Arts Council Grant $10,000 Project Contribution Contribution u°
National Endowment for the Arts $6,175 ❑
Community Foundation of Northeast Iowa $10,000 ❑
City of Waterloo General Fund $4,378
Waterloo Convention&Visitors Bureau $10,000
Friends of the Art Center $200 El
Pioneer Graphics $125
Subtotal for Each Category $10,000 $0 $20,553 $10,325
Total Cash Match Revenue $20,553
Total Match Revenue $30,878
Total Project Revenue $40,878
Must match or exceed Total Project Expenses.
Part I: Timeline
You may use this form or create your own format,but you must submit a timeline with your supplemental materials.
This form is divided into three sections.The first section"Prior to Funding Period"and the last section"After Funding Period"are optional.
For certain projects,especially those with multiple phases,information on activities occurring before and after the grant funding period
can provide clarity and context.
Use the Add buttons to add an entry to a particular timeline section,rather than using one line for everything.The Time Period and
Description boxes below will expand to display everything you have typed in them after you exit the box.
Prior to Funding Period (optional)
Dates/Time Period Description
During Funding Period
For April deadline:funding period begins the July 1 after the April deadline and continues through June 30th of the next year.
For October deadline:funding period is the upcoming January 1 -June 30.
Dates/Time Period Description
August 2009 Artists meet weekly via web conference for project planning/design
September 2009 Artists meet weekly via web conference for project planning/design
October 2009 Artists meet with Public Art Committee for design review/approval
October 2009 Artists in production;biweekly web-conferences
November 2009 Artists in production;biweekly web conferences
December 2009 Artists in production;biweekly web conferences
January 2010 Artists in production;biweekly web conferences
February 2010 Artwork completed,presented to Public Art Committee for approval/acceptance
March 2010 Artwork digitized,prepared for printing
April-May 15,2010 Production of banners;design&production of interpretive brochure&announcement
May 17-21, 2010 Installation of banners at Expo Plaza;installation of exhibition at WCA
May 27,2010 Opening reception and gallery talk at WCA;artists'presentations filmed
May 28-30,2010 Opening of exhibition at Expo Plaza,in conjunction with My Waterloo Days
June 2010 video editing;final version submitted for air on government&public access stations
After Funding Period (optional)
Dates/Time Period Description
Part J: Work Samples and Support Materials Form
Use the space below to describe any artistic work samples you are enclosing with this application.Limit the number of support items you
include.Submit items that specifically relate to and support key points of the application narrative.The text boxes below will expand to
display everything you have typed after you exit the text box.
Work Samples
All applications that involve artists MUST include appropriate work samples to help reviewers gauge artistic excellence.Exception:For
categories other than the Artist category,if artists are on the IAC's Teaching Artists Roster,Performing Artists Roster,or Folk&Traditional
Roster,you need only include a print-out of the artist's roster web page.High quality work samples are very important.It is the
applicant's responsibility to ensure that electronic formats are readable/viewable by the IAC.
Visual Arts Work Samples.Web site references are acceptable.Electronic files may be submitted on a CD-ROM. Printed images
must be submitted on 8.5"x11"sheets of paper and may include several images on one page.DO NOT submit slides or original
works of art.Generally 5- 10 images are sufficient.Describe here what the panel is reviewing(e.g.,title,media,description/
explanation of work).
Performing Arts Work Samples.Web site references are acceptable.If possible,edit portions of work you want the panel to
see/hear onto one CD,audio cassette,CD-ROM,VHS video tape,or DVD.Keep total length to less than five minutes.Describe
here what the panel is reviewing(e.g.,title,description of work).
Literature Work Samples.Provide a copy of a chapter,scene,etc.,from the literary or theatrical work you want the panel to
review.Generally around 5 pages are sufficient.Describe here what the panel is reviewing(e.g.,title,description of work,etc.).
Work Samples Enclosed Include:
Joan Webster-Vore:Artwork Samples(see notes)
Pam Echeverria:Artwork Samples(see notes)
Carol Macomber:Artwork Samples(see notes)
Scott Hudson:Artwork Samples(see notes)
Support Materials
Please list all other support materials included with this application below.Describe what the panel is reviewing and highlight specific
sections you want them to review(e.g.specific page,paragraphs,articles,etc.)Include only those materials that bear directly on the
project for which you are applying.Examples of support material include,but are not limited to:
• Bios of key participants(Required for artists involved in project who are not on an IAC Roster);
• Copies of Rostered Artists'IAC Roster Web page(Required for artists involved in project who are on an IAC Roster;Note:not all
artists in IAC directory are on a roster);
• Letters of commitment or contracts with project partners(Required if applicant will hire an artist or arts organization for the
project);
• Letters of support specifically supporting your project and dated within the last year;
• Evaluation of most recent similar project(Recommended if grant project continues or expands an existing project);
• Sample evaluation form/format to be used;
• Exhibit catalogues,event/performance programs;
• Promotional materials;
• Photocopies of magazine or newspaper articles or reviews.
Support Materials Enclosed Include:
Artists'resumes(including IAC Roster web page for Webster-yore)
Letters of Commitment from Artists
Letters of support
Plaza&banner design specifications
i +
Minority Impact Statement
Pursuant to 2008 Iowa Acts,HF 2393,Iowa Code Section 8.11,all grant applications submitted to the State of Iowa which are due beginning
January 1,2009 shall include a Minority Impact Statement.This is the state's mechanism to require grant applicants to consider the potential
impact of the grant project's proposed programs or policies on minority groups.Grant reviewers will not see this form,and your answers here
will not be considered in the grant review process. Please choose the statement(s)that pertains to this grant application. Complete all the
information requested for the chosen statement(s).
® The proposed grant project programs or policies could have a disproportionate or unique positive impact on minority persons.
Describe the positive impact expected from this project(limit 50 words)
Three of four participating artists are women. Larger concentrations of minority populations live near the Expo Plaza within the
downtown and in adjacent neighborhoods. Businesses that primarily serve these minority audiences are clustered in the downtown
area. Public events held within this area see wide participation among minority audiences.
Indicate which group is impacted:
® Women ® Latinos ❑ American Indians
/ Persons with a Disabilitiy ® Asians (1 Alaskan Native Americans
® Blacks ❑ Pacific Islanders ® Other
n The proposed grant project programs or policies could have a disproportionate or unique negative impact on minority persons
Describe the negative impact expected from this project(limit 50 words)
Present the rationale for the existence of the proposed program or policy.(limit 50 words)
Provide evidence of consultation of representatives of the minority groups impacted. (limit 50 words)
Indicate which group is impacted:
❑ Women ❑ Latinos ❑ American Indians
❑ Persons with a Disabilitiy ❑ Asians ❑ Alaskan Native Americans
❑ Blacks n Pacific Islanders ❑ Other
The proposed grant project programs or policies are not expected to have a disproportionate or unique impact on minority persons.
Present the rationale for determining no impact.(limit 50 words)
I hereby certify that the information on this form is complete and accurate,to the best of my knowledge:
Name: C � '�(,f�t�.e � Title: Director
Definitions
"Minority Persons",as defined in Iowa Code Section 8.1 I,in n individuals who are women,persons with a disability,Blacks,Latinos.Asians or Pacific Islanders,American
Indians,and Alaskan Native Americans.
"Disability",as defined in Iowa Code Section 15.102,subsection 5,paragraph"b",subparagraph(I):b.As used in this subsection:
(1)"Disability"means,with respect to an individual,a physical or mental impairment that substantially limits one or more of the major life activities of the individual,a record
of physical or mental impairment that substantially limits one or more of the major life activities of the individual,or being regarded as an individual with a physical or mental
impairment that substantially limits one or more of the major life activities of the individual.
"Disability"does not include any of the following:
(a) Homosexuality or bisexuality.
(h) Transvestism,transsexualism,pedophilia,exhibitionism,voyeurism,gender identity disorders not resulting Iron)physical impairments or other sexual behavior disorders.
(c) Compulsive gambling,kleptomania,or pyromania.
(d) Psychoactive substance abuse disorders resulting from current illegal use of dales.
"State Agency",as defined in Iowa Code Section 8.11.means a department,hoard,bureau,commission,or other agency or authority of the State of Iowa.
ples
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JOAN WEBSTER-VOLE www.joanwebstervore.com
P.O. Box 277 joan@joanwebstervore.com
Hudson, Iowa 50643 (319) 988-3086
EDUCATION
M.F.A. The University of Iowa, Design
M.A. The University of Iowa, Textile Design
B.F.A. The University of Iowa, Drawing, Sculpture
EMPLOYMENT
2004, 2006 Instructor, Department of Design, Family and Consumer Sciences,
1991-1998 University of Northern Iowa, Cedar Falls, IA
1987 - 1991 Instructor, Department of Art,
University of Northern Iowa, Cedar Falls, IA
EXHIBITIONS
2009 SUSTAINABILITY, Group exhibition,Wartburg College,Waverly, IA
2008 FIBERART INTERNATIONAL, The Clay Center for Arts and Sciences of West Virginia, Charleston,VA
& Mint Museum of Craft and Design, Charlotte, NC
2007 Society for Contemporary Craft Museum, Pittsburgh, PA
WE PROTEST, Luther College, Decorah, IA United World College, Montezuma,NM
Witter Gallery, Storm Lake, IA
2006 UNRESTRICTED,National Juried Exhibition, Florida Craftsmen, St. Petersburg, FL
GUERRILLA ART:Art as Activism, International Juried Exhibition,Altered Esthetics, Minneapolis,MN
2006 ROCKFORD MIDWESTERN, Rockford Art Museum, Rockford, IL
6oth Juried Exhibition, Regional Exhibit, Sioux City Art Center, Sioux City, IA
FIRST FIFTY 2006,Hearst Center for the Arts, Cedar Falls, IA
AMERICAS 2000 Paper Works Competition, International Juried Exhibition,
Northwest Art Center, Minot State University, Minot, ND
30TH ANNUAL ROCK ISLAND FINE ARTS EXHIBITION,Juried Exhibit,
Augustana College, Rock Island, IL
2005 IOWA CRAFTS 37, MacNider Art Museum, Mason City, IA
INVITATIONAL SALON EXHIBITION OF SMALL WORKS, New Arts Program, Kutztown, PA
IOWA EXHIBITED 20, Polk County Heritage Gallery, Des Moines, IA
2004 WORLD WIDE FIBER ARTS: WEBSIGHTS, Invitational,Augustana College, Rock Island IL
INVITATIONAL SALON EXHIBITION OF SMALL WORKS, New Arts Program, Kutztown, PA
2003 LARGE WORK EXHIBITION, Kirkwood Community College, Cedar Rapids, IA
IOWA CRAFTS 36, MacNider Art Museum, Mason City, IA
ARTS IN HARMONY`03, Elk River Area Arts Alliance, Elk River, MN
2002 SHIKISHI: Gifts of Art for the New Year,National Juried Exhibition,
Bedford Gallery,Walnut Creek, CA
HOLIDAY BIENNIAL: Juried Exhibition,Witter Gallery, Storm Lake, IA
WHO WE ARE NOW: WHO WE WERE THEN, Juried Exhibit,
Hearst Center for the Arts, Cedar Falls, IA
WOMEN IN FIBER,Invitational, Iowa State Bank, Iowa City, IA
2001 ART SHOW 2001, Hearst Center for the Arts, Cedar Falls, IA
HOOVERFEST 2001 Art Show, Herbert Hoover Library,West Branch, IA
51st ANNUAL QUAD-STATE Juried Exhibition, Quincy Art Center, Quincy, IL
FLYING VESSEL: Howe Hall, Iowa State University,Ames, IA
36th ANNUAL AREA SHOW: Juried Exhibition, MacNider Museum, Mason City, IA
2000 Banners 2000, International Banner Exhibition, Iowa State University,Ames, IA
2D3D:Works on Paper: Juried Competition, Octagon Center for the Arts,Ames, IA
2000 HOLIDAY BIENNIAL: Juried Exhibition,Witter Gallery, Storm Lake, IA.
5oth ANNUAL QUAD-STATE Juried Exhibition, Quincy Art Center, Quincy, IL
35th ANNUAL AREA SHOW: Juried Exhibition, MacNider Museum, Mason City, IA
1999 Hawkeye Community College Invitational,Waterloo, IA
34th ANNUAL AREA SHOW: Juried Exhibition, MacNider Art Museum, Mason City, IA
ART SHOW Xi: Juried Exhibition, Hearst Center, Cedar Falls, IA
1998 REFLECTIONS: Natl. Juried Competition, Pacific Grove Art Center, Pacific Grove, CA
HOLIDAY BIENNIAL: Juried Exhibition,Witter Gallery, Storm Lake, IA
ART SHOW X: Juried Exhibition, Hearst Center, Cedar Falls, IA
33rd ANNUAL AREA SHOW: Juried Exhibition, MacNider Art Museum,Mason City, IA
1997 32nd ANNUAL AREA SHOW: Juried Exhibition, MacNiderArt Museum, Mason City,IA
IOWA PRAIRIE: SELECTED VIEWS &VOICES: Blanden Memorial Art Museum, Fort Dodge,IA
Sioux City Art Museum, Sioux City, IA Arts Iowa City, Iowa City, IA
1996 IOWA PRAIRIE: SELECTED VIEWS &VOICES:
A touring Sesquicentennial multi-media exhibit with work of four visual artists &one poet.
Waterloo Museum of Art,Waterloo, IA Muscatine Art Center, Muscatine, IA
HOLIDAY BIENNIAL: Juried Exhibition, Witter Gallery, Storm Lake, IA
3ist ANNUAL AREA SHOW: Juried Exhibition, MacNider Museum, Mason City, IA
WATERLOO MEDICAL CENTER: Invitational,Waterloo, IA
1994 ARTS ALIVE MEMBERS EXHIBIT, Hearst Center, Cedar Falls, IA
1993 MIDWEST WEAVERS FEDERATION, Invitational, UNI Gallery of Art, Cedar Falls, IA
IOWA WOMAN, Invitational, Hearst Center, Cedar Falls, IA
1992 IOWA WOMAN,Invitational, Johnson County Arts Center, Iowa City, IA
MFA Exhibition, University of Iowa Museum of Art, Iowa City, IA
1991 NORTHEAST IOWA PRINT CLUB COLLECTS,Waterloo Museum of Art,Waterloo,IA
ARTS ALIVE MEMBERS EXHIBIT, Hearst Center, Cedar Falls, IA
FACULTY EXHIBIT, University of Northern Iowa,Cedar Falls, IA
1990 MAYORS CHOICE EXHIBIT, City Hall, Cedar Falls, IA
1989 FIBER ART RETROSPECTIVE, Invitational, University of Iowa Museum of Art, Iowa City,IA
IOWA COMPETITIVE EXHIBITION, Hearst Center, Cedar Falls,IA
FIBER INVITATIONAL, Unitarian Society, Cedar Rapids, IA
FACULTY EXHIBIT, University of Northern Iowa, Cedar Falls, IA
1988 FOUR WOMEN: FOUR VIEWS. Invitational,Johnson County Arts Center,Iowa City, IA
23rd AREA COMPETITIVE ART SHOW, MacNider Museum, Mason City, IA
FACULTY EXHIBIT, University of Northern Iowa, Cedar Falls, IA
TWO PERSON INVITATIONAL, Unitarian Universalist Society, Cedar Falls, IA
NORTHEAST IOWA PRINT CLUB EXHIBITION,Metropolitan Gallery, Cedar Falls, IA
1987 INVITATIONAL, Grundy Community Building, Grundy Center, IA
EXHIBITION, "Iowa Woman," Iowa City, IA
FACULTY EXHIBIT, University of Northern Iowa, Cedar Falls, IA
INVITATIONAL, Fisher Community Center, Marshalltown, IA
1985 STATE BANNER COMPETITION,Waterloo Public Library, Waterloo, IA
1984 INTERNATIONAL BANNER EXHIBITION, Iowa State University,Ames, IA
NORTHEAST IOWA WEAVERS& SPINNERS, Hudson Public Library, Hudson,IA
1982 NORTHEAST IOWA WEAVERS & SPINNERS, Metropolitan Gallery, Cedar Falls, IA
1980 STUDENT INVITATIONAL, Eve Drewlow Gallery, University of Iowa, Iowa City, IA
1979 VOYAGES OF THE LITTLE MEN,Thesis Show, Eve Drewlow, University of Iowa, Iowa City, IA
PAPER/FIBER II,Juried Competition, Old Brick, Iowa City, IA
BEDS. SWEET DREAMS.AND OTHER THINGS.... National Surface Design Competition,
Brunnier Gallery, Iowa State University,Ames, IA
1978 FIBER INVITATIONAL, Mt. Mercy College Gallery, Cedar Rapids, IA
SOLO EXHIBITION, Hawkeye State Bank, Iowa City, IA
STUDENT INVITATIONAL, Eve Drewlow Gallery, University of Iowa, Iowa City, IA
PAPER/FIBER I,Juried Competition, Old Brick, Iowa City,IA
12th ANNUAL JURIED COMPETITION, Stanley Gallery, Muscatine,TA
CLAY AND FIBER SHOW, Octagon Art Center,Ames, IA
SOLO EXHIBITIONS
2009 SOUL DANCE, Kristen Wigley-Fleming Gallery, Luther College, Decorah, IA
2007 RECENT WORK: VESSELS, Quad City Arts, Rock Island, IL
2006 University of Iowa Hospitals & Clinics, Iowa City, IA
2005 Wartburg College, Waverly, IA
2003 PASSAGES OF TIME, Buena Vista University, Storm Lake, IA
2002 River Arts Center, Clinton, IA
1992 EARTH AND AIR SCAPES, Waldorf College, Forest City, IA
AWARDS
2008 RIT/NTID, installation, Rochester, NY
2007 Josephine Cohen Peoples Choice Award, FIBERART INTERNATIONAL, Pittsburgh, PA
2005 IOWA CRAFTS 37, MacNider Museum, Mason City, IA
2003 IOWA CRAFTS 36, MacNider Museum, Mason City, IA
2002 WHO WE ARE NOW: WHO WE WERE THEN, Hearst Center for the Arts, Cedar Falls, IA
2001 ART SHOW 2001, Hearst Center for the Arts, Cedar Falls, IA
51st ANNUAL QUAD-STATE Juried Exhibition, Quincy Art Center, Quincy, IL
1999 34th ANNUAL AREA SHOW, MacNider Museum, Mason City, IA
1998 33rd ANNUAL AREA SHOW, MacNider Museum, Mason City, IA
1996 HOLIDAY BIENNIAL, Witter Gallery, Storm Lake, IA
1996 31st ANNUAL AREA SHOW, MacNider Museum, Mason City, IA
1985 STATE BANNER COMPETITION, Waterloo, IA
PERMANENT PUBLIC COLLECTIONS
DANCE OF THE GINGKO, large installation, Rochester Institute of Technology (RIT)/
National Technical Institute for the Deaf(NTID), Rochester, NY
WATER, SOMETIMES YOU SEE IT, USUALLY IT'S HIDDEN IN THE
TALL GRASS, NIAC Community College, Mason City, IA
MUSKRAT HUT, NIAC Community College, Mason City, IA
MUSKRAT HUT Triptych, Waterloo Museum of Art, Waterloo, IA
REFLECTIONS I & II, Medical Arts Center, Waterloo, IA
SIX WEAVINGS, Burlington Medical Center, Burlington, IA
WIRE WEAVING, Black Hawk Mutual Insurance, Hudson, IA
FISH, Waterloo Public Library, Waterloo, IA
WEAVING, Wartburg College, Waverly, IA
ALL STRUNG UP, Iowa State University Library,Ames, IA
OUTDOOR BANNERS, Waterloo Recreation Commission, Waterloo, IA
MINIATURE SWIMMING POOL, Waterloo Recreation Commission, IA
SOFT HANGING SCULPTURE, Waterloo Recreation Commission, IA
CHRISTMAS BANNER, Waterloo Recreation Commission, IA
IOWA ARTS COUNCIL GRANT
2002 American Spirit Project, Iowa Department of Cultural Affairs
1998 ARTIST IN THE SCHOOLS (AIS), Horace Mann Elementary, Clinton, IA
1993 AIS, Extended Residency, Cedar Falls High School,
Holmes and Peet Jr. High, Cedar Falls, IA
1992 Artist in the Park, Ottumwa, IA
1990 AIS, Jesup School District, Jesup, IA
1989 Expansion Arts, Central Intermediate, Waterloo, IA
1987 AIS, Jesup School District, Jesup, IA.
Solo Artist, Keystone Fine Arts Conference, Clarke College, Dubuque, IA
Special Constituency, Joint Program: The Lutheran Home,
The Western Home, Windsor Home, Cedar Falls, IA
1986 AIS, Algona School District,Algona, IA
AIS, MacNider Museum, Mason City, IA
1982 Hardin County Care Facility, Eldora, IA
Black Hawk County Care Facility,Waterloo, IA
Bremer County Care Center, Waverly, IA
1981 Black Hawk County Care Facility,Waterloo, IA
Bremer County Care Center, Waverly, IA
198o Bremer County Care Center, Waverly, IA
Black Hawk County Care Facility,Waterloo, IA
1979 Black Hawk County Health Center,Waterloo, IA
WORKSHOPS PRESENTED
2008 Dye Workshop,Amana Arts Guild,Amana, IA
2007 Textile Workshop, Amana Arts Guild, Amana, IA
2001 Indigo Workshop. Amana Arts Guild, Amana, IA
2000 UNI Museum, Cedar Falls, IA
PROFESSIONAL AFFILIATIONS
Iowa Arts Council Artists-In-The-Schools and Communities, 1986 - present.
Northeast Iowa Weavers and Spinners Guild.
State Commissioner. Deaf Services Commission of Iowa (DSCI), 1992-1996.
Cedar Arts Forum Board, 199o's
GALLERIES
MacNider Museum, Mason City, Iowa
Iowa Arts Council Artist Directories & Rosters rage , u,•,
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F , Joan Webster-yore
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r z4 : PO Box 277
If. `` `7 Hudson, IA 50643
`%-- Phone: 319-988-3086
Email: webvor@mchsi.com
Web: www.joanwebstervore.com
General Description of Work: Details from nature play a significant role in Joan's imagery. In recent years she has been
particularly intrigued by the ever-changing surface of water which has often been documented in her drawings and
paintings. Her fiber work incorporates both traditional and nontraditional techniques.
Public Art can serve many different rotes such as enhancing a space, creating an environment, provoking ideas and/or
underlining the role of the space, to name a few. Ultimately what it should do is participate in providing a bigger
experience. The public art projects I have worked on have reinforced my desire to provide art for public space that is in
harmony with the space and it's ideology. Not only do I feet Public Art needs to aesthetically compliment the place in
which it exists but also bring something extra that adds to the overall visual experience.
Public Art often brings together many creative people, it is important that artists/architects/designers are able to
communicate and work together collectively to create an experience that is greater than it's parts.
Collaborating/building off of one anothers ideas provides many more possibilities.
The nature of Public Art demands that the artist listen and be sensitive to the desires of the client/s. When working
with clients I try to take into consideration all of their wishes and concerns as the ideas are developed and try to give
many visual explanations in order to provide a clear understanding of the proposed project. I am also aware that when
working with a committee quite often members want to explore different directions within a concept. I am very willing
to work and re-work a proposal until it is mutually acceptable.
As an artist, coming from a strong drawing and textile background, one of my strengths is my ability to work in a variety
of media and in a variety of scale. Typically the ideas I work with dictate the materials I use to create the work. In the
area of Public Art this gives me more possibilities in how I approach and resolve a given project.
In addition to creating her own work, she also enjoys sharing her experience and skills with students of all ages. As an
artist listed in the Iowa Arts Council's peer-reviewed Arts in Education Artists Roster, Joan demonstrates and assists
students in their development of technique and aesthetics. She often employs collaborative methods where students
work on large-scale soft sculptures.
Bio: Joan taught as adjunct instructor at the University of Northern Iowa for over twelve years.
She received her BFA with emphasis in drawing and sculpture, MA with emphasis in textile design and MFA with
emphasis in design from the University of Iowa.
Regions: All Regions
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Pam Echeverria
EDUCATION
BA University of Northern Iowa 1975
MA University of Northern Iowa 1980
PROFESSIONAL EMPLOYMENT
Art Teacher, Waterloo Community Schools 1975-1992
Adjunct Instructor of Art, University of Northern Iowa 1978-1979
Gifted Education Teacher, Waterloo Community Schools 1992-2007
VISITING ARTIST
Sioux City Art Center, Sioux City, Iowa 1982
Waverly Shell Rock Schools, Waverly, Iowa 1986
Art Train, Mason City, Iowa 1995
AWARDS
Honorable Mention, MacNider Museum Annual, 2001
Mason City, Iowa
Best of Show 2-D, MacNider Art Festival, Mason City, Iowa 1999
Merit Award, MacNider Museum Annual, Mason City, Iowa 1989
Best of Show, Uptown Arts Festival, Minneapolis, Minnesota 1998
Best of Show, MacNider Museum Annual, Mason City, Iowa 1983
Merit Award, Sioux City Annual, Sioux City, Iowa 1982
Honorable Mention, MacNider Museum Annual, Mason City, Iowa 1981
Merit Award, MacNider Museum Annual, Mason City, Iowa 1980
PURCHASE AWARDS
Patron Purchase Award, College Hill Arts Festival, 2003,2000,1999
Cedar Falls, IA 1997,1993,1992
1987,1986,1982
Purchase Award, West Art and the Law 1989
West Publishing Company, Minneapolis, Minnesota
Purchase Award, MacNider Museum Annual, 1983
Purchase Award, Cedar Arts Forum, Black Hawk County, Iowa 1979
Pam Echeverria Page 2
EXHIBITIONS
Luther College, Decorah, Iowa 2007
Altered Aesthetics Gallery, Minneapolis, Minnesota 2006
Hearst Center for the Arts, Cedar Falls, Iowa 2006
Charles City Art Center, Charles City, Iowa 2003
West Art and the Law, West Publishing Company,
Minneapolis, Minnesota 1989
MacNider Museum Annual, Mason City, Iowa 1978-2001
Three-Person Show, The Octagon, ISU, Ames, Iowa 1988
Cedar Falls Annual, Cedar Falls Metropolitan Gallery 1988,1987,1981
Two-Person Show, Joy Norwich Gallery, Chicago, Illinois 1987
Group Show, Joy Norwich Gallery, Chicago, Illinois 1986
Three-Person Show, Sioux City Arts Center, Sioux City, Iowa 1984
Sioux City Annual, Sioux City Arts Center 1982,1983
Christmas Invitational Show, Sioux City Arts Center 1981
Women Artists Invitational, Metro Gallery, Cedar Falls, Iowa 1981
Faculty Show, University of Northern Iowa, Cedar Falls, Iowa 1980
MA Exhibition, University of Northern Iowa, Cedar Falls, Iowa 1980
Two-Person Show, Metropolitan Gallery, Cedar Falls, Iowa 1980
Two-Person Show, Coe College, Cedar Rapids, Iowa 1980
Competitive Student Exhibition, University of Northern Iowa 1979,1980
Cedar Falls, Iowa
Cedar Arts Forum Purchase Show, Waterloo, Iowa 1979
319 Show, Cedar Rapids Arts Center, Cedar Rapids, Iowa 1977,1978
Iowa Annual, Des Moines Art Center, Des Moines, Iowa 1977
COLLECTIONS
West Publishing Company, Minneapolis, Minnesota
Joy Norwich, Joy Horwich Gallery, Chicago, Illinois
National Bank of Waterloo, Waterloo, Iowa
Iowa Public Service, Sioux City, Iowa
NorWest Bank, Sioux City, Iowa
First National Bank, Waverly, Iowa
First National Bank, Mason City, Iowa
McDonald's Corporation, Toronto, Canada
Cedar Arts Forum, Black Hawk County, Iowa
Medical Associates, Waterloo, Iowa
PUBLICATIONS
West Art and the Law, Catalog, Traveling Exhibition, 1989
West Publishing Company, Minneapolis, Minnesota
Iowa Woman Magazine 1988
Carol_ ]\4I - ni er 505-4 54 7,, cal olnlacolllh(:rj 0-nac.coll
—statement —
For several years, I've focused my attention on landscape, and on native
plants in particular. Antique printing techniques and digitized images are
combined to form new working relationships.
My background includes work in biology, botany and photography.
Through photography I hope to preserve remnants of the past in a form
that commands attention and respect.
— resume —
EDUCATION
BA, 1960, Lawrence University, Appleton, Wisconsin.
Independent Study in Photography, University of Northern Iowa, Cedar
Falls, Iowa.
SELECTED EXHIBITIONS
Occam's Razor, a multi-media exhibit by professional artists and scientists
concentrating on the interface between scientific and artistic influences in
art. Santa Fe Complex, Santa Fe, New Mexico, 2008
We Protest, an exhibition of works by 50 Iowa artists protesting US war
policies in the Middlle East. Originating in Cedar Falls, Iowa , the exhibit
traveled to Altered Aesthetics, Minneapolis, Minnesota; Luther College,
Decorah, Iowa; Witter Gallery, Storm Lake, Iowa; and United World
College, Montezuma, New Mexico in 2006-07.
Images of Iowa: Photographs of a State's Natural Resources, an invitational
touring exhibit organized by the Brunnier Art Museum at Iowa State
University, Ames, Iowa and supported by the Iowa Department of Natural
Resources and the Iowa Arts Council, 2003.
Impressions, a regional juried exhibition, Blanden Memorial Art Museum,
Fort Dodge, Iowa, 2003.
Iowa 2002: New Art, a regional group show juried by Daniel Schulman,
The Art Institute of Chicago and Jane Milosch, Cedar Rapids Museum of
Art at the Cedar Rapids Museum of Art, Cedar Rapids, Iowa, 2002.
Iowa Prairie: Selected Views and Voices, a multimedia exhibit showing the
work of four visual artists and one poet, Waterloo Center for the Arts,
Waterloo, Iowa. Traveled to the Blanden Memorial Museum, Fort Dodge,
Iowa; the Sioux City Art Museum, Sioux City, Iowa; Arts Iowa City, Iowa
City, Iowa; and the Muscatine Art Center, Muscatine, Iowa during
1996-1997.
Clay Sculpture and Photographs, a joint exhibition with sculptor Nina Ward,
University Art Gallery, University of Wisconsin - La Crosse, 1996.
Solo Exhibit. Pacific Grove Art Center. Pacific Grove, California. 1995.
Anxious Moments, a joint exhibition with sculptor Nina Ward partially
funded by the Iowa Arts Council. Originating at the Hearst Center for the
Arts in Cedar Falls, Iowa and traveling to the McNider Museum, Mason
City, Iowa; Luther College, Decorah, Iowa; and the Sioux City Art Center,
Sioux City, Iowa during 1992-93.
COLLECTIONS
Cedar Rapids Museum of Art, Cedar Rapids, Iowa
Covenant Medical Center, Waterloo, Iowa
Des Moines Art Center, Des Moines, Iowa
Hoover Historical Building, Des Moines, Iowa
Project Art, University of Iowa Hospitals, Iowa City, Iowa
Sioux City Art Center, Sioux City, Iowa
University of Northern Iowa, Cedar Falls, Iowa
Waterloo Center for the Arts, Waterloo, Iowa
Hearst Center for the Arts, Cedar Falls, Iowa
Department of Natural Resources, Photographic Collection, Des Moines,
Iowa
GRANTS & PUBLICATIONS
Hearst Center for the Arts: grant to produce an edition of prints for the
Collection of Iowa Artists
Iowa Department of Natural Resources: grant to photograph Iowa's
natural places, 2000
Included in Robbie Steinbach, Lifework: Portraits of Iowa Women Artists,
Marianne Abel and Carol Lauhon, editors, Lifework Arts Press, Bettendorf,
Iowa, 1998.
Included in Jane Robinette, Iowa Women Artists Oral History Project, Iowa
Women's Archives, University of Iowa Libraries, Iowa City, Iowa, 1998-9.
Carol Macomber- 65 Coyote Road
carol macomber*mac.corn Las Vegas, NM ST 01
SCOTT ROBERT HUDSON a'
ARTIST
1027 WEST 9711 ST.
CEDAR FALLS,IOWA 50613
319/268-0306
EDUCATION
B.A. CAUFORNIA STATE UNIVERSITY,CHICO 1986
MUSEUM COLLECTIONS
MINNEAPOLIS INSTITUTE OF ARTS
CALIFORNIA STATE UNIVERSITY,CHICO MUSEUM OF NATURAL HISTORY
SELECTED EXHIBITIONS
GROUP EXHIBITION NEVADA MUSEUM OF ART JANUARY 2009
"BETWEEN GRASS AND SKY"
RENO,NEVADA
GROUP EXHIBITION WARTBURG COLLEGE JANUARY 2009
"SUSTAINABIUTY"
WAVERLY,IOWA
GROUP EXHIBITION ALTERED ESTHETICS SEPTEMBER 2008
"CRITICAL HABITAT"
MINNEAPOLIS,MINNESOTA
TWO PERSON SHOW MACNIDER MUSEUM OF ART JANUARY 2008
WITH PAINTER ANGELA BATTLE
MASON CITY,IOWA
ONE PERSON SHOW UNIVERSITY OF NORTHERN IOWA JUNE 2007
"ECHOES AND APPARITIONS"
CEDAR FALLS,IOWA
ONE PERSON SHOW WARTBURG COLLEGE JANUARY 2005
WAVERLY,IOWA
ONE PERSON SHOW 0/N GALLERY OCTOBER 2004
MINNEAPOUS,MINNESOTA.
ONE PERSON SHOW HEARST CENTER FOR THE ARTS JANUARY 2003
"LANDMARKS OF MEMORY"
CEDAR FALLS,IOWA
ONE PERSON SHOW DEEN BRAATHEN WORKS OF ART APRIL 1999
MINNEAPOLIS,MINNESOTA.
TWO PERSON SHOW DEEN BRAATHEN WORKS OF ART APRIL 1998
WITH BASKETMAKER JAN BUCKMAN.
MINNEAPOLIS,MINNESOTA.
GROUP EXHIBITION ANSEL ADAMS GALLERY FEBRUARY 1994
YOSEMITE NATIONAL PARK
CALIFORNIA
GROUP EXHIBITION JUNIPER GALLERY MARCH 1 991
"WILDERNESS IN ART"
NAPA,CAUFORNIA
ONE PERSON SHOW ELLIOT BAY BOOKSTORE JANUARY 1 988
SEATTLE,WASHINGTON.
ONE PERSON SHOW 1 078 GALLERY MAY 1987
CHICO,CALIFORNIA
ONE PERSON SHOW 1 078 GALLERY FEBRUARY 1984
CHICO,CALIFORNIA
CURATOR
GROUP EXHIBITION WARTBURG COLLEGE JANUARY 2009
SUSTAINABILITY"
WAVERLY.IOWA
PUBLICATIONS
WATERLOO-CEDAR FALLS "COMMON THREAD" JANUARY 12.2003
COURIER PREVIEW OF HEARST CENTER EXHIBIT
ST.PAUL PIONEER PRESS "FRAMES OF REVERENCE" APRIL 5, 1998
REVIEW OF TWO-PERSON SHOW
AT DEEM BRAATHEN WORKS OF ART.
CHICO NEWS&REVIEW "THE EYES HAVE IT" MARCH 28, 1996
REVIEW OF ONE-PERSON SHOW
"DOORS OF PERCEPTION" MAY 7, 1 987
REVIEW OF ONE-PERSON SHOW
AT 1 078 GALLERY.
"BREAKING AWAY" DECEMBER 5, 1985
REVIEW OF TWO-PERSON SHOW
WITH KAREN RIDDARPANG.
"ANNIVERSARY ART" JULY, 1985
REVIEW OF 1078 GALLERY
INVITATIONAL EXHIBIT.
"HONORING THE SOURCE" JANUARY 31,1985
REVIEW OF THREE-PERSON SHOW
WITH RANDY CRIMMEL AND DEL STUBBS.
"SKILL AND SYMPATHY" FEBRUARY 9,1984
REVIEW OF ONE PERSON SHOW
AT 1 078 GALLERY.
CHRONOLOGY
1958 BORN OCTOBER 4 TO JOHN ROBERT AND Rum ANN HUDSON IN
COUNCIL BLUFFS.IOWA.
1962 AFTER LESS THAN ONE YEAR LIVING IN STERLING.COLORADO.THE FAMILY MOVED
TO WHITTIER.CALIFORNIA IN LOS ANGELES COUNTY.
1977 ATTENDED RIO HONDO COLLEGE. STUDIED GRAPHIC ILLUSTRATION WITH DALE
HARVEY.DEAN'S LIST.1978.
1979 LEFT WHITTIER TO ATTEND CALIFORNIA STATE UNIVERSITY,CHICO IN NORTHERN
CALIFORNIA. CHANGED EMPHASIS TO STUDY FINE ART. MET TEACHER KEN
MORROW WHO BECAME INFLUENTIAL.INTRODUCED BY MORROW TO WELDED STEEL
SCULPTURE AND CARVING MARBLE.ALSO INFLUENTIAL WERE JIM MCMANUS AND
LOWELL JONES
1 982 RECEIVED FIRST SUBSTANTIAL COMMISSION FROM CHABIN CORPORATION IN
CHICO.CALIFORNIA. EXECUTED"BUTTE ABb I HACTION',A SIX FOOT TALL STEEL
SCULPTURE.LATER OWNED BY 3-M.
1983 FIRST ONE PERSON EXHIBITION AT THE 1078 GALLERY IN CHICO,CALIFORNIA.
MADE FIRST EXTENDED PAINTING TRIP TO DEATH VALLEY NATIONAL MONUMENT,
CALIFORNIA.
DEVELOPED FRIENDSHIP WITH THE WOODTURNER DEL STUBBS. INTRODUCED TO
THE SPIRITUAL AND SCULPTURAL CHARACTER OF WOOD.
1984 BEGAN FIGHTING FOREST FIRES WITH THE U.S.FOREST SERVICE.FOUGHT FIRES
THROUGHOUT CALIFORNIA.OREGON.AND WASHINGTON UNTIL THE END OF THE
1 987 SEASON.FORMED PERCEPTIONS THAT BECAME INITIAL THEMES FOR WOOD
SCULPTURE.
1 985 HIRED BY SCULPTOR LOWELL JONES TO ASSIST IN THE FABRICATION AND
INSTALLATION OF A SOLAR KINETIC SCULPTURE AT 245 PARK AVENUE.NEW YORK,
NEW YORK.
KEN MORROW AND HIS WIFE DONNA ARE KILLED IN AN AUTOMOBILE ACCIDENT AT
STEVENS PASS IN WASHINGTON STATE.
EXPLORED ISM WILDERNESS.YOLLA DOLLY WILDERNESS AND LASSEN VOLCANIC
NATIONAL PARK.
•
1987 ASSISTED ON A SECOND SOLAR KINETIC SCULPTURE BY LOWELL JONES. OLYMPIA
AND YORK BUILDING,ORLANDO,FLORIDA.
BEGAN FIRST SERIOUS WOODCARVING. TAUGHT BY DEL STUBBS TO FORGE AND
TEMPER KNIVES AND CHISELS.
MOVED TO SEATTLE,WASHINGTON. MET THE SCULPTOR AND SUMI MASTER,
GEORGE TSUTAKAWA. EXCHANGED BRUSHES AS GIFTS WITH MR.TSUTAKAWA.
MADE NUMEROUS PAINTING EXCURSIONS THROUGHOUTTHE STATE OF
WASHINGTON. MOST NOTABLE WERE TRIPS TO NORTH CASCADE AND OLYMPIC
NATIONAL PARKS.
VISITED VANCOUVER,BRITISH COLUMBIA. STUDIED HAIDA AND
NISGA'A CARVING.
1989 LEFT SEATTLE AND RETURNED TO CALIFORNIA. MADE FIRST OF MANY PAINTING
TRIPS TO LAVA BEDS NATIONAL MONUMENT.
CONTINUED TO LEARN ABOUT THE NATURE OF FINE WOODWORKING FROM
FRIENDSHIPS WITH MICHAEL STERUNG AND RICHARD SILVERA.
1990 TOOK PAINTING TRIPS TO MESA VERDE,ARCHES,LAVA BEDS AND JOSHUA TREE.
1991 EXECUTED FIRST OF MANY PLEIN AIR WATERCOLORS OF MOUNT SHASTA IN
NORTHERN CALIFORNIA.
VISITED HOPEWELL INDIAN SITES INCLUDING SERPENT MOUND IN ADAMS COUNTY,
OHIO.
MADE THE FIRST OF MANY EXPLORATIONS OF THE SACRAMENTO RIVER BY CANOE.
1993 MADE FIRST PAINTING TRIP TO BADLANDS OF SOUTH DAKOTA. ALSO VISITED
DEVILS TOWER,ARCHES,CASTLE CRAGS,LASSEN NATIONAL PARK,LAVA BEDS
AND CALIFORNIA'S LOST COAST.
BEGAN ARTISTIC RELATIONSHIP WITH THE MUSEUM OF NATURAL HISTORY AT
CALIFORNIA STATE UNIVERSITY,CHICO.PAINTED WATERCOLORS OF NORTH
AMERICAN BIRDS FROM STUDY SKINS
MARRIED KATHY SCHOLL
1994 TOOK PAINTING TRIPS TO KAUAI,HAWAII,SAN JUAN AND CANADIAN GULF
ISLANDS,LASSEN NATIONAL PARK,MT SHASTA AND ISHI WILDERNESS..
VISITED BRITISH COLUMBIA TO CONTINUE STUDY OF NORTHWEST CARVING.
1995 MADE SECOND MAJOR EXPLORATION OF BADLANDS IN SOUTH DAKOTA.
BACKPACKED EIGHT MILES INTO THE FORMATIONS TO PAINT THE LANDSCAPE AND
SKETCH BISON.ALSO EXPLORED DINOSAUR NATIONAL PARK,DEVILS TOWER,
ARCHES,LASSEN NATIONAL PARK,MT.SHASTA AND KAUAI.
CONTRACTED BY THE BIOLOGY DEPARTMENT AT CALIFORNIA STATE UNIVERSITY,
CHICO TO PRODUCE MODELS OF EIGHT DIFFERENT MARINE MOLLUSKS,CARVED IN
WOOD AND HANDPAINTED.
1996 EXPLORED REDWOOD NATIONAL PARK,OLYMPIC PENINSULA AND CAUFORNIA'S
LOST COAST.
MOVED TO MINNEAPOLIS,MINNESOTA SO KATHY COULD EARN A PH.D.AT THE
UNIVERSITY OF MINNESOTA.
TOOK SKETCHING TRIPS TO THE NORTH SHORE OF LAKE SUPERIOR AND
ST.CROIX RIVER REGION.
1997 TRAVELED TO BOWLING GREEN STATE UNIVERSITY IN OHIO AS A VISITING ARTIST
TO GUEST LECTURE FOR TAMARA MONK.
BACKPACKED INTO THE MUMMY RANGE OF ROCKY MOUNTAIN NATIONAL PARK.
ALSO EXPLORED EFFIGY MOUNDS NATIONAL MONUMENT IN IOWA AND MADE
THIRD TRIP TO KAUAI.
1998 EXPLORED ROCKY MOUNTAIN NATIONAL PARK,BANDELIER NATIONAL MONUMENT,
EFFIGY MOUNDS AND THE NORTH SHORE OF LAKE SUPERIOR.
1999 EXPLORED EVIDENCE OF GLACIAL HISTORY IN NORTH WESTERN MINNESOTA.
2000 EXPLORED BANDELIER NATIONAL MONUMENT,NORTH SHORE OF LAKE SUPERIOR,
AND POINT REYES NATIONAL SEASHORE.
, 2001 SELECTED AS FINALIST FOR THE MARCY-HOLMES NEIGHBORHOOD GATEWAY
PROJECT,A CITY OF MINNEAPOLIS PUBLIC SCULPTURE COMMISSION.
RELOCATED TO CEDAR FALLS,IOWA WHERE KATHY WAS HIRED AS A PROFESSOR
AT UNIVERSITY OF NORTHERN IOWA.
EXPLORED THE CEDAR,SHELL ROCK,AND WAPSIPINICAN RIVERS.
2002 EXPLORED KAUALAU VALLEY,KAUAI AND GRAND STAIRCASE ESCALANTE IN
SOUTHERN UTAH.
TOOK EXTENSIVE TRIP TO SOUTHERN FRANCE AND ITALY. STUDIED THE ANCIENT
BORIE SHELTERS NEAR GORDES,FRANCE.STAYED IN FLORENCE WITH THE
MARBLE SCULPTOR,MATTI AUVINEN. VISITED ROME,PIE I HA SANTA,CARRARA,
AND PISA.
SEMI-FINALIST FOR MAUCKER UNION PUBLIC SCULPTURE COMMISSION AT
UNIVERSITY OF NORTHERN IOWA,CEDAR FALLS.
2003 DESIGNED AND INSTALLED A SCULPTURAL FOUNTAIN THAT HANGS FROM THE
CEILING OF FIRST NATIONAL BANK OF CEDAR FALLS.IOWA.RECOGNIZED BY
CEDAR FALLS PUBLIC ART COMMITTEE.
SUBMITTED AN OFFICIAL ENTRY FOR THE WORLD TRADE CENTER MEMORIAL
COMPETITION AT GROUND ZERO IN NEW YORK,NY.
EXPLORED LASSEN VOLCANIC NATIONAL PARK.
2004 TOOK PROJECT SPECIFIC TRIP TO DINOSAUR NATIONAL MONUMENT IN UTAH.
EXPLORED THE MISSISSIPPI RIVER BY CANOE FROM HARPERS FERRY,IOWA TO
GUTTENBERG,IOWA.STUDIED LATE WOODLAND CULTURE EFFIGY MOUNDS.
2005 LOWELL JONES PASSES AWAY.
EXPLORED MAUI,HAWAII. CLOSELY STUDIED THE GREEN SEA TURTLES AT MAKENA.
BACKPACKED INTO THE CRATER AT HALEAKALA NATIONAL PARK.
BACKPACKED INTO LASSEN VOLCANIC NATIONAL PARK AND CONTINUED TO
EXPLORE THE LATE WOODLAND EFFIGY MOUND REGION OF THE MISSISSIPPI RIVER
BY KAYAK..
2006 BACKPACKED INTO POINT REYES NATIONAL SEASHORE AND CONTINUED
EXPLORING THE MISSISSIPPI RIVER BY KAYAK.
AWARDED AN IOWA ARTS COUNCIL MAJOR GRANT TO SUPPORT 2007 EXHIBIT AT
UNIVERSITY OF NORTHERN IOWA.
2007 EXPLORED GREAT SAND DUNES NATIONAL MONUMENT OF COLORADO.
VISITED PREHISTORIC CAHOKIA.ONE OF THE EARLIEST METROPOLITIAN
SETTLEMENTS IN NORTH AMERICA.
2006 TOOK SECOND TRIP TO FRANCE.HIKED EXTENSIVELY THROUGHOUT THE GORDES
REGION.VISITED ARLES.RENTED AN APARTMENT IN PARIS.SPENT TWO DAYS IN
THE LOUVRE.
CONTINUED TO EXPLORE THE MISSISSIPPI RIVER BY KAYAK.
r
March 25, 2009
Major Grants Committee
Iowa Arts Council
600 E. Locust
Des Moines, IA 50319-0290
To Whom it May Concern:
This letter is to confirm my commitment to the "Art and Environment: Where People Gather"
project being facilitated by the Waterloo Center for the Arts. In collaboration with three other
artists, I will be producing 6 unique images that will be reproduced for banner displays in the new
Expo Plaza area in downtown Waterloo. During the opening of this banner exhibit, my original
artwork will be on display at the Waterloo Center for the Arts.
This project will have wide appeal for all ages, ethnicities and income levels. The theme of the
project is Art and Environment and will address issues related to the environment, natural history
and sustainability. These issues are top of mind in our local community as well as the larger
national community. The Expo Grounds and the Public Market have been developed to promote
fresh, organic, sustainable crops and enhance the livability of our community, and this banner
project will dovetail with and promote all of these goals.
The Waterloo Center for the Arts has a strong tradition of being a leader in providing programs
and opportunities for both artists and the community, making the Center well positioned to
facilitate this project. This project also correlates directly with the Center's mission to work in
partnership with the community to build a stronger appreciation for the arts and to provide cultural
experiences for people of all ages.
Artist's statement of support:
The New Expo Plaza is a handsome addition to the
downtown Waterloo area. As an artist, I am very
enthusiastic about this art project and very pleased to
be invited to participate in this vision. It provides a
unique opportunity to create a visual dialog about the
integrity of our environment through art in a very public
place.
Sincerely,
c mac_ Lam:./
Joan Webster-Vore, artist
}
March 25, 2009
Major Grants Committee
Iowa Arts Council
600 E. Locust
Des Moines, IA 50319-0290
To Whom it May Concern:
This letter is to confirm my commitment to the"Art and Environment: Where People Gather"
project being facilitated by the Waterloo Center for the Arts. In collaboration with three other
artists, I will be producing 6 unique images that will be reproduced for banner displays in the new
Expo Plaza area in downtown Waterloo. During the opening of this banner exhibit, my original
artwork will be on display at the Waterloo Center for the Arts.
This project will have wide appeal for all ages, ethnicities and income levels. The theme of the
project is Art and Environment and will address issues related to the environment, natural history
and sustainability. These issues are top of mind in our local community as well as the larger
national community. The Expo Grounds and the Public Market have been developed to promote
fresh, organic, sustainable crops and enhance the livability of our community, and this banner
project will dovetail with and promote all of these goals.
The Waterloo Center for the Arts has a strong tradition of being a leader in providing programs
and opportunities for both artists and the community, making the Center well positioned to
facilitate this project. This project also correlates directly with the Center's mission to work in
partnership with the community to build a stronger appreciation for the arts and to provide cultural
experiences for people of all ages.
Artist's statement of support
Through the project "Art and Environment: Where People Gather"we can
embrace a vision that values the environment and quality of life of our citizens and
neighborhoods. The arts will facilitate a program which implements human and
community development by supporting an evolving transition toward community
sustainability. I look forward to participating in an artistic collaboration which will
enhance the progressive and responsible growth of our community.
Sincerely,
Pam Echeverria, artist
From:SPC OFFICE PRODUCTS LAS VEGAS 15054256864 03/26/2009 13:05 11232 P. 00S/003
March 25, 2009
Major Grants Committee
Iowa Arts Council
600 E_ Locust
Des Moines, IA 50319-0290
To Whom it May Concern:
This letter is to confirm my commitment to the "Art and Environment: Where
People Gather" project being facilitated by the Waterloo Center for the Arts. In
collaboration with three other artists, I will be producing six unique images that
will be reproduced for banner displays in the new Expo Plaza area in downtown
Waterloo. During the opening of this banner exhibit, my original artwork will be
on display at the Waterloo Center for the Arts.
This project will have wide appeal for all ages, ethnicities and income levels.
The theme of the project is Art and Environment and will address issues related
to the environment, natural history and sustainability. These issues are top of
mind in our local community as well as the larger national community. The Expo
Grounds and the Public Market have been developed to promote fresh, organic,
sustainable crops and enhance the livability of our community, and this banner
project will dovetail with and promote all of these goals.
The Waterloo Center for the Arts has a strong tradition of being a leader in
providing programs and opportunities for both artists and the community,
making the Center well positioned to facilitate this project_ This project also
correlates directly with the Center's mission to work in partnership with the
community to build a stronger appreciation for the arts and to provide cultural
experiences for people of all ages.
During the thirty years that I lived in Blackhawk County, Iowa, my discovery
and involvement in the natural places nourished me and fueled my creative
endeavors. I am truly excited about participating in this worthy project which
celebrates and gives prominence to our often undervalued treasures.
Sincerely,
Carol Macomber
March 25,2009
Major Grants Committee
Iowa Arts Council
600 E. Locust
Des Moines, IA 50319-0290
To Whom it May Concern:
This letter is to confirm my commitment to the "Art and Environment:Where People Gather"
project being facilitated by the Waterloo Center for the Arts. In collaboration with three other
artists, I will be producing 6 unique images that will be reproduced for banner displays in the new
Expo Plaza area in downtown Waterloo. During the opening of this banner exhibit, my original
artwork will be on display at the Waterloo Center for the Arts.
This project will have wide appeal for all ages, ethnicities and income levels. The theme of the
project is Art and Environment and will address issues related to the environment, natural history
and sustainability. These issues are top of mind in our local community as well as the larger
national community. The Expo Grounds and the Public Market have been developed to promote
fresh, organic, sustainable crops and enhance the livability of our community, and this banner
project will dovetail with and promote all of these goals.
The Waterloo Center for the Arts has a strong tradition of being a leader in providing programs
and opportunities for both artists and the community, making the Center well positioned to
facilitate this project. This project also correlates directly with the Center's mission to work in
partnership with the community to build a stronger appreciation for the arts and to provide cultural
experiences for people of all ages.
This is indeed a rare opportunity for me as an artist to participate in an extraordinary community
endeavor. When I visited to project site, I was struck by the thought and care that had gone into
its design and implementation. This new public commons is the sort of project that is more likely
found in much larger cities or Europe. I wish more of our public infrastructure was this integral.
This is an authentic community investment and I am proud to be invited to participate.
Sincerely,
Scott Robert Hudson
Artist
•
'
CITY E R $ I WA
i":41 41I
' i CITY HALL • 715 MULBERRY ST. • WATERLOO, IA ;f1703 (319) 291 1301 FAX (319) 291-4286
April 1, 2009
mat/or
TIMOTHY J.
HURLEY
Review Committee Members
COUNCIL Iowa Arts Council
MEMBERS
Dear Committee Members:
REGINALD A.
SCHMITT It is with great pleasure that I submit this letter of support for the Waterloo
Ward/ Center for the Arts' grant request to support an art and environment banner
project for the Expo grounds located in Downtown Waterloo.
caR.oLY!.r
COLE
Ward_ The Expo grounds are a segment of Waterloo's Riverfront Renaissance Plan,
which is providing a canvas of nature, education, entertainment, and arts that will
i')AROLD enhance the quality of life for all our citizens. Major components of the Expo
GE TY
Turd and riverfront redevelopment have been partially financed with Vision Iowa and
CAT grant funds. Wonderful art abounds in our downtown area in so many
QUENTIN M. forms, but the true impact is that all of the projects as a whole support the goals
HART and objectives of Waterloo's vision for the future. This proposed art and
ward 4
environment banner project will complement and build upon existing attractions
RON that are already available to our citizens and visitors to this cultural area of our
WELPER community.
ward
BOB Given our country's current economic status, people are looking for experiences
GREENWOOD closer to home. This project will support and enhance the Expo grounds as well
At-Large as the other components of projects in Downtown Waterloo such as the Sullivan
STE\ Brothers Iowa Veterans Museum Project at the Grout Museum, the Waterloo
SCHN ITT Center for the Arts' Youth Pavilion, and the Prairie Pathways Bike Trail.
At-Larne
I respectfully request that you to give favorable consideration to approving this
grant request for this very exciting project that will provide experiences and
opportunities to make a positive difference in our city.
Sincerely,
Tim Hurley, Mayor
City of Waterloo, Io a
CITY WEBSITE: www.ci.waterloo.ia.us
WE'RE WORKING FOR YOU!
An Equal Opportunity/Affirmative Action Employer
329 East 4th Street
•
Waterloo Iowa 50703
�� Phone: 319-291-2038
W �� Fax: 319-291-4298
�� � o info@mainstreetwaterloo.org
DOWNTOWN CULTURAL&ENTERTAINMENT DISTRICT www.mainstreetwaterloo.org
March 24, 2009
Cammie Scully
Director of Arts and Culture
Waterloo Center for the Arts
225 Cedar Street
Waterloo, Iowa 50701
Dear Cammie:
On behalf of Main Street Waterloo, I would like to express my interest and
support for the Art and Environment: Where People Gather banner exhibit. As a
Main Street Iowa Community, as well as a Downtown Cultural & Entertainment
District, we applaud efforts to enhance and expand the arts into our Downtown
environment.
The Expo grounds provides an excellent opportunity to incorporate the visual arts
into an area where people gather and enjoy the quality of life the City works so
hard to maintain and improve. As a community center the Downtown is a place
where a variety of people from all backgrounds and walks of life live, work, and
recreate. Being at the Expo grounds provides an exposure not just to the benefit
of the residents of Waterloo, but also to those who are visiting friends and family
or participating in an event.
As an affiliate of the Main Street Iowa program, our organization works to
improve the visual quality of the downtown area through historic preservation and
beautifiacation projects. The banner project is a nice fit within our strategic plan.
It's an exciting time to be part of what's happening in downtown Waterloo as we
are restructuring our economy through the priority projects identified by the
Riverfront Renaissance Plan. We are thrilled with your ideas to play a role in
downtown's revitalization, as we work to improve our city's economic health, local
quality of life, pride, and community history.
I am pleased to provide this letter of support in your search for funding, and urge
the granting institution to give every consideration to your application. Please
know that Main Street Waterloo will assist in any way possible.
Sincerely,
Sindee Kleckner
Executive Director, Main Street Waterloo
Crri OF W AT $ IOWApro T
.... ....►,� WATERLOOLEISURESERVICES COMMISSION y� 1101 Campbell Ave. • Waterloo, IA 50701 (319) 291-4370 • Fax (319) 291 4297
`1"4r70O ,9 PAUL1-IUTING • Leisure Services Director
Mayor March 25, 2009
TIMOTHY J.
HURLEY
Cammie Scully
Waterloo Center for the Arts
COUNCIL 225 Commercial Street
MEMBERS Waterloo, IA 50309
REGINALD A. Dear Cammie:
SCHN'IITT
I''iad 1
This is to communicate my enthusiastic support for your proposed Art and Environment
CAROLYN Banner Project. I say this both as Director of Leisure Services and as a member of the
COLE Public Art Committee.
11'nrd,
HAROLD By installing banners on the new Expo Plaza grounds during My Waterloo Days you will
GETTY be introducing original environmental art to thousands of festival attendees. This project
I'Vard 3
will create a wonderful link to our natural history at the inaugural event for the new
QUENTIN NI. exposition area.
HART
Ward i Good luck on this project and feel free to contact me if we can be of any assistance in this
RON venture.
WELPER
Wards Sincerely,
E
GREENI1r00
At-Lrr�_;e Paul Huting / •
STEVE Director of Leisure Services
SCHMITT
At-Large
CITY WEBSITE: www.ci.waterloo.ia.us
WE'RE WORKING FOR YOU'
An Equal Opportunity/Atfirmative Action Employer
4 - r'
CRAIG RITLAND March 25, 2009
LANDSCAPE
ARCHITECTS
Cammie Scully
Waterloo Center for the Arts
Waterloo, Iowa 50701
To whom it may concern:
I am writing to express my enthusiastic support for what is called Art and
Environment: Where People Gather. This public art event is designed to enrich
Waterloo's annual celebration, My Waterloo Days, by surrounding attendees
throughout our new urban plaza with environmental graphic art by four outstanding
artists. There will be a total of 104 banners displayed on 28 existing poles and
brackets visible from not only the plaza itself but from US Highway 218 (Avenue of
the Saints). The banners will be of quality that will allow for prolonged or repeat
use.
Thanking you in advance for your consideration.
Sincerely,
Craig Ritland, FASLA
Principal
531 COMMERCIAL ST.
WATERLOO BLDG.#1001
WATERLOO, IA 50701
PHONE (319) 233-8090
FAX (319) 233-9772
ritland@mcleodusa.net
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